One of the joys (and sorrows) of research is all the interesting information you find on one topic while doing research on something completely different. While researching spirit photography, for instance, I came across this fascinating account of the Victorian stereoscope in the art book for National Museums Scotland’s exhibition ‘Photography: A Victorian Sensation’.*
If you think the 3D film craze is a new thing, think again. The stereoscope is one of its many historical predecessors. Essentially a pair of fancy spectacles, the device allowed you to view two nearly identical images side-by-side in a way that would make them appear three-dimensional. Alison Morrison-Low describes how enthusiastically the Victorians took to the technology:
Hundreds of thousands of stereoscopic images were sold […] in a major craze which reached every middle-class Victorian drawing-room. The demand appeared insatiable. In 1854, George Swan Nottage (1823-85) set up the London Stereoscopic Company. ‘No home without a stereoscope’ was its slogan. It sold a wide range of stereoscopes, costing from 2s 6d to £20 (about £10 and £1550 today), and became the largest photographic publishing company in the world. [p. 63]
The vast numbers of stereo photographs can be divided into four main categories: travel, news, social scenes and comedy. By far the largest group was that of travel. […] The beauty of the English, Welsh or Irish countryside was frequently illustrated, as well as that of Scotland. Rural poverty and derelict cottages were seldom shown, as a Romantic portrayal of scenery prevailed. [p. 67]
And speaking of the Romantics…
Charles Breese (1819-75) of Birmingham and Sydenham sold his highly thought-of quality slides at 5 shillings (£20 today) each. Entitled ‘Breaking Waves’, 1870s-80s, it comes with a quote from Lord Byron: ‘Sea with rocks and a half moon / the deep blue moon of night, Lit by an orb / Which looks like a spirit or a spirit’s world’. [p. 76]
*All page citations refer to Alison Morrison-Low, Photography: A Victorian Sensation (Edinburgh: National Museums Scotland, 2015).